Step by step making a stylized character in Zbrush, Substance 3d Painter and Marmoset Toolbag 4 What you'll learn Sculpting body Adding Skin details, veins and many more Making cool props such as cloth, sward, treasure chest, tobacco pipe Creating environment props such as palm tree, rocks, sand, water Making retopology from sculpted mesh Making UV's Texturing all props for stylized looks Make custome materials Texturin skin material for body

Learn how to sculpt a caricature and get it ready for 3D Printing in Zbrush What you'll learn Create caricature and likeness Prepare digital sculpt for 3D printing Requirements ZBrush software You should have a basic knowledge of Zbrush Description Instructor Info Corazon Bryant always had an artistic bone in her body. When she was only 2 years old, she would make detailed drawings on her mother's wall. Her mother loved the drawings so much, she

Learn to sculpt environment props, objects and creatures in ZBrush. What you'll learn Learn to Use ZBrush in a professional capacity, with emphasis on environment objects, props and creatures. Requirements Have a PC or Mac capable of running ZBrush and a graphics tablet. Description Bringing ZBrush into your art pipeline is now more important than ever before. With the launch of new hardware and ever increasing rendering power and tools, like

A course designed to all levels for anyone interested in learning developing Hard Surface Sculpting Techniques What you'll learn Learning and Mastering Techniques in Hard Surface Sculpting with the Newest Features of Zbrush A solid foundation into mastering Zremesher, Polygroups and their relationship together with other Zbrush functions How to sculpt and iterate quickly variety of base mesh shapes and re use those base meshes modularly to

ArtStation – Foliage Tree Creation in Maya and Zbrush Tutorial and Assets. A full run through of creating a wind blown tree from scratch using Zbrush, Maya and Photoshop/Quixel. Showcasing techniques for using paint effects in Maya for creating base meshes. Sculpting and creating tree cards and bark textures in Zbrush. Concluding with showing the workflow of transferring the Zbrush sculptures to a low res game engine friendly mesh for rendering

Title: The Gnomon Workshop - Sculpting the Planes of the Head - A Fundamental Guide to Mastering the Head with John Brown DESCRIPTION: Successful head sculpture begins with understanding where the vertical/horizontal planes and facets are, and the fundamental relationship the features have with them. In this tutorial, figurative artist and educator John Brown breaks down the life-size male head into a series of planes and facets, establishes the

Title: The Gnomon Workshop - Original Creature Concepts - Exploration to Presentation with Pablo Munoz Gomez DESCRIPTION: In this workshop, Concept and Character Artist Pablo Munoz Gomez shares his workflow for generating an original and appealing creature concept from an arrangement of abstract 3D shapes. The process covers everything from the initial idea, explaining the methodology and core concepts of the technique, all the way to the final

Understand Hard Surface Techniques by combining Sculpting and Zmodeler Editing through Zremsher 3 for New Workflows! What you'll learn Zbrush Hard Surface Sculpting Workflows Understanding the workflow between Digital Sculpting and Zmodeler Editing through Zremesher 3.0 Comprehending the various uses and applications of Zremesher 3.0 as well as its strengths and weakness A strong emphasis throughout the course on quick keys with narration of

Sculpt realistic characters using blender only What you'll learn Sculpting the female head Texturing workflow Skin shading process Creating hair in blender Rendering with cycles Requirements I expect you have some sort of basic blender experience. You should have blender 3.2 installed on your computer. Description Do you have problems understanding the workflow for realistic character creation in Blender only? Then I welcome you to Nexttut

Title: The Gnomon Workshop - Designing & Modeling a Creature with Scales - Creating Production-Ready Assets for VFX using Zbrush & Maya with Dan Weiss Learn how experienced character artists create production-ready creatures for a visual effects pipeline with this in-depth ZBrush and Maya modeling workshop by Senior Character Artist Dan Weiss. Known for his dragon and reptile-inspired creature designs, Dan dives deep into his creative