Nuke is the industry standard in compositing Visual effects, but it costs a lot. Natron is open source and Free, It has the same interface, same workflow, similar nodes and and functionality. You can apply in Nuke everything you've learned in Natron, from day one, even if you have never opened Nuke before. Natron is the Free Nuke alternative.
I am here to help you create an amazing video. Many people assume that video editing is challenging. The first time I edited a video, I had zero knowledge. The instructional videos I watched were complicated and did not cover the basic things. My video editing course will help you learn how easy and fun it is to edit.
Video: .MP4, 1280x720 | Audio: AAC, 48kHz, 2ch | Duration: 1h
MP4 1280x720 | 1h 23m | ENG | Project Files | 1.42 GB
MP4 1920x1080 | 2h 05m | ENG | 1.4 GB | In this tutorial series, I will guide you through the discipline of "Matchmoving" (Camera Tracking and Object tracking), from start to finish.
In this tutorial, we'll start from pre-production to final compositing in Nuke. We'll learn how to create a Hollywood style short film from scratch, starting from storyboard drawing, motion capture, camera language buildup as well as how to boost up your workflow by rendering in Unreal Engine. Also, we'll discuss tips and tricks that could make your shot stand out.
You will learn the workflow from Adobe Premiere Pro CC 2019, from entering videos, cutting, adding logos, adding transitions, adding titles, adding effects, making images in pictures, adding music and creating final files.
This course would teach you to start with Adobe Premiere Pro, by creating a new project, sequence, with different settings required for different platforms. Customizing and saving your own sequence settings for future need.
Learn Video Editing in Adobe Premiere with Color Correction & Color Grading and Professional Video Editing Techniques
This mini course will cover quite a lot in a short period of time and is intended for people who want to learn only the basics in a short period of time.
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