Advance your Rhino modeling and workflow skills. Get the most out of your 3D models and have more fun designing. This course is an ever-growing collection of tips and tricks designed especially for Rhino 6 users. Expert Dave Schultze shares his curve-based approach to Rhino, which combines a small set of commands with straight-forward editing techniques, leading to higher-quality models in less time. He introduces methods for creating rounded
Making Video: Teach Something is a beginner-level course for non-video people who want to make short videos focused on instruction. Staff author Ashley Kennedy shows that with the right techniques, making an engaging training video can be accomplished with little more than a smartphone. The course is presented in a workshop style where Ashley teaches a real-world professional (a chef) how to make a video for her website.
Making Video: Sell Something is a beginner-level project-based course for non-video people who want to make a short video to sell a product. Staff author caters to learners with minimal pre-existing knowledge, limited resources, and almost no budget. She shows that—with the right techniques—making an engaging promotional video can be accomplished with little more than a smartphone. The course is presented in a workshop style where Ashley teaches
Join author Claudia McCue on a journey that introduces the printing process and reveals the keys to designing a document that prints as well as it looks on screen. Learn about the life cycle of a print job and observe printing presses in action. Discover how to better communicate with your printer, think about print as you're designing, and choose the correct paper, inks, colors, and fonts for your project.
Do you consider yourself a seasoned Adobe InDesign user, but sometimes feel that you’re stuck in your InDesign work habits or wasting precious time completing everyday tasks that you suspect could be handled faster or easier? Join Bart Van de Wiele in this course, where he shows you how to tackle common design problems using advanced InDesign functionality.
Adding a die cut or emboss to your print job can make a striking visual impact; it's a way of sculpturing and increasing a reader's engagement with your work. Learn about the various types of embossing and die cutting as well as the proper ways to set up your documents to achieve consistent results. Author Claudia McCue covers manufacturing concerns like cost, time, choosing the appropriate paper stock, and file formatting; preparing your
GREP offers InDesign users advanced search techniques for finding and replacing text and formatting. This course decodes the language of GREP, showing how to use this versatile tool to speed up everyday formatting tasks. Instructor Erica Gamet begins by exploring what GREP does and where you can find it in InDesign.
You want the inside pages of your magazine to deliver a strong, cohesive look and feel that does justice to the content contained within. In this course, John McWade picks up where he left off in Magazine Design Start to Finish: The Cover and takes you through every part of a typical magazine's interior pages, including the masthead, contents page, and unique feature layouts. John discusses the design decisions that need to be made, as well as
Join John McWade as he takes you step by step through the process of magazine cover design to create designs that are attractive, logical, consistent, and appropriate. John begins by providing insights on the importance of type, as type serves as your cover's "visible voice." Next, he demonstrates how to gather your influences, design for a specific cover size and shape, and use different fonts for your cover's nameplate. John then shows a
Composite manufacturing is ready to meet the demands of the modern world, including groundbreaking vehicle and aeronautical designs, which require ever lighter and stronger materials. Commonly associated with carbon fiber processes, composite manufacturing combines two materials to form a polymer with properties that would be hard to produce with a single material alone.
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