
MP4 1280x720 | 1h 40m | ENG | 723 MB

MP4 1280x720 | 2h 47m | ENG | Project Files | 2.04 GB

Whether you’re working with a team or on your own, understanding how to efficiently use 3D tracking information in compositing can help you speed up your workflow. In this course, learn how to use 3D tracking data to add 3D objects to a 2D shot in Adobe After Effects. Brian Morse shows how to export your cameras to Maya and After Effects from SynthEyes, and explains how to set up your 3D scene once and use it for all of your shots. He also
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