Create MAD MAX Filmlooks with the ORANGE & TEAL LUT Pack.

AutoCAD Design Suite software delivers AutoCAD software, plus an extended design toolset that includes AutoCAD Raster Design software and visual communication solutions. Drive your products from concept to completion with comprehensive documentation tools.

A colorful set of skies shot at dusk and dawn, showcasing various cloud formations. Many images were captured at multiple exposures, tone mapped and stitched to panoramas.

This coastal environment set features ocean wave patterns crashing up against rock formations. This locations is known for its unique stacks of heavily eroded limestone cliffs which create strange protruding shapes and patterns.

In this comprehensive course you will learn keys to speeding up your workflow within ZBrush (learning navigation & brushes along the way), founding principles of good Character Design, and every step to creating a finished appealing bust. Plus you’ll learn theory that will help you think through your sculpts and take your models to the next level!

Effects and effects-related creativity since 2001. A bunch of stock footages.

A set of 37 custom brushes I made for Procreate to quickly paint grass, trees, leaves, and other vegetation in my illustrations and plein air paintings. Now revised and expanded for Procreate 5, including Color Dynamics!

A set of 14 custom brushes I made for Procreate to quickly paint rock formations and rock-like surfaces. Now revised and expanded for Procreate 5, including Color Dynamics!

The primary focus of this course is mastering the run cycle. We'll explore two types of run cycles (Profile and straight on) while also adding a jump sequence to elevate your skills. This ACTION packed course will make it easy to animate run cycles while adding energy to your animation. This will give you that "Professional" quality you've been searching for.

Throughout these lessons we go through the very exciting process of creating environment illustrations. We will begin by blocking in each of the major shapes in their own layers, and then refine them to become the foundation of our image. We'll then block in colors and textures into the background, middle ground, and foreground layers. We'll complete the process of illustration by establishing a focal point and rendering our painting to an